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Quartal and quintal harmony
In music, quartal harmony is the building of harmonic structures with a distinct preference for the intervals of the perfect fourth, the augmented fourth and the diminished fourth. Quintal harmony is harmonic structure preferring the perfect fifth, the augmented fifth and the diminished fifth.
Use of the terms ''quartal'' and ''quintal'' arises from a contrast, compositional or perceptual, with traditional tertian harmonic constructions. Listeners familiar with music of the (European) common practice period perceive tonal music as that which uses major and minor chords and scales, wherein both the major third and minor third constitute the basic ''structural elements'' of the harmony.
''Quintal harmony'' (the harmonic layering of fifths specifically) is a lesser-used term, and since the fifth is the inversion or complement of the fourth, it is usually considered indistinct from ''quartal harmony''. Indeed, a circle of fifths can be arranged in fourths (G→C→F→B etc. are fifths when played downwards and fourths when played upwards); this is the reason that modern theoreticians may speak of a "circle of fourths".
==Analysis==
抄文引用元・出典: フリー百科事典『 ウィキペディア（Wikipedia）』
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